Compositions
802.11
2016 – 2018, installation, Raspberry Pis, wireless network adapters, transducers, Raspbian, Python, Pure Data
conflations of affordances, aesthetic, and environments
Fulcra
2017, recommended: 40 – 60 sec., clarinet, violin, piano
"paths that traverse apparent impasses, proceeding by aporia"
Treatment
2017, installation, puredata, raspberry pi, speakers
∣∥‖∥∥∥‖∣∥∥∥‖ǁ∥‖∥∥‖‖‖‖ǀ∥∥‖∥‖∥‖∥‖∥∥ǀ∥∥∣∥‖‖∣‖∥∥∥∥‖‖∥∣∥∣‖‖
2016, 0 – many min., 2 electric basses
F
ºooº0ooO°oOOºO
2015, 0 – many min., two flutes, French horn, acoustic guitar
Qualitative shufflings
var piece;
2015, 0 – many min., solo for Chrome with live vocalist
An epistemological feedback loop
Breach
2015, 0 – many min., any two bowed, like-timbred, four-or-more-stringed instruments
Molecules generating static
▲❙■▬●
2014/15, 0 – many min., flute, trumpet, bass clarinet, violin, viola, electric guitar
Just-beginnings-to-stir
Mnemonic
2014, 6 min., string quartet
An experiment in memory composed with and performed by Quatuor Bozzini
Along your trails
2014, 3 min., string quartet
A simple moment
Bottom Feeder
2013/14, 7 min., soprano voice, alto saxophone, tenor saxophone
Comparing communication paradigms
Hazing
2012, 10.5 min., tenor voice, clarinet, piano, SATB chamber choir
Bartók and the Geranium
2011, 4 min., SSATTB chamber choir
A setting of the poem by Dorothy Livesay
Occupation
2010, 7 min., clarinet, alto saxophone, tenor saxophone, piano, and contrabass
A micropolyphonic funnel